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Not too long ago, Michigan-based post-hardcore band I See Stars was releasing their second album The End of The World Party (2011) through their growing-in-popularity label, Sumerian Records. Now in early 2012, I See Stars has released another full-length, Digital Renegade, which looks to be an attempt at a heavier sound; something most fans should be
Articles By: Angela Kenney
Review: You Me At Six’s Sinners Never Sleep
Even though the international version of Sinners Never Sleep by the U.K.’s You Me At Six has been out since October, many U.S. residents may just now be getting their hands on hard copies (or iTunes downloads), and therefore deserves its respective review at the same time
Get to know our locals: The Number Neesh
There are many locals bands across the multiple cities that the Sound Scene Press staff live in, and some of the staff probably don’t know about the various music scenes throughout these different cities. Local music is important to a city’s culture and ongoing atmosphere. Today, we’re looking at The Number Neesh from the Twin Cities
January preview: first albums of 2012
A new year is upon us and hopefully it brings just as much exciting new music as 2011 did. January already has some anticipated releases from successful bands in America, from across the pond, and a few newcomers hoping to make a break into the scene
Interview: Betraying The Martyrs
Betraying The Maryrs is relatively new to the American metal scene, but the guys have been playing to their audience in France and many other countries in Europe for the past two years.
Review: The Maine’s “Pioneer”
No label, new direction. That’s a pretty good summary of The Maine’s new album, Pioneer
Staff picks: what we’re listening to
1. August Burns Red‘s Leveler I reviewed this album when it was released back in June, and honestly I feel like you need more than a week of August Burns Red’s music in order to get the real feel for it
Review: The Devil Wears Prada’s Dead Throne
Leading metalcore band The Devil Wears Prada is bringing new musical elements into their sound on their fourth full-length, Dead Throne, out Sept. 13, 2011 on Ferret Records
August Burns Red’s Leveler
For anyone that was looking for August Burns Red to produce a heavy album again, it’s here. Leveler continues to show the band’s ever-evolving sound that keeps each of their albums sounding different than the last.
Who’s to blame? Part I
Let me say that for the sake of this argument, in the near future, A Day To Remember will leave Victory Records (if their contract allows it) and will sign to a new label for their future recordings. What will Victory Records have left after this happens
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